The Harpsicord and the Violin
I had lunch with Myra and her boyfriend today at the Pavillion, Bukit Jalil. I haven't met Myra for many months and I always look forward to catching up with them as it gives me an opportunity to glimpse into the world of their generation--one that's shaped completely by unrelentless drama of life played out over social media, fuelled by the many intrigues of the youthful heart.
It has been an eventful week no doubt--a week that was punctuated by two momentous events: the massive gas leak inferno at Putra Heights, which devastated many homes and US President Trump's so-called 'Liberation Day', where he unleashed a string of import tariffs on almost every country in the world, of which the ramifications are yet to be fully played out.
The massive explosion and fire at Putra Heights was particularly scary because it was happening at a neighbourhood surburb, one which only last week, I was writing my weekly blog article from. From USJ, could see the sky high flames in the distant while I was driving home from breakfast.
Thoughts of a California's Pacific Palisades-scale disaster did cross my mind for a brief moment. But as information trickled in, we soon found out that it was due to some gas leakage from the Petronas pipeline, and the fire did not spread beyond the radius of the explosion.
With floods, earthquakes, fires, pandemics and financial crises threatening our existence recently, one inevitably rehearses in one's mind on how one would deal with such catastrophic losses. Only a week ago, the massive 7.7 Richter scale earthquake near Mandalay, Myanmar triggered the collapse of a 33-storey high building that was under construction in Bangkok, 1000 kilometres away from the epicentre. "It could hit us too"--was the thought that crossed everyone's mind in Malaysia.
Myra had other mental upheavals playing out in her mind, unrelated though to those tragic events. She's facing a lot of stress at work and it took me a while to restore her mood back to her cheerful self. I told her that she's like a Stradivarius violin--a divinely resonant instrument of music, with equal capability of playing beautifully sad and ecstatically joyful music. It is up to the virtuoso, to bring out the best in the musical instrument. Being passionate and sensitive can be an asset, if you know how to play those emotional strings masterfully.
I told Myra to use her emotional sensitivity wisely: the pipeline explosion was a wasteful release or energy; while a four-stroke engine works as a controlled explosion, which harnesses its power for useful work. I know Myra is passionate about everything she does, and she suffers the rollercoaster ride of emotional turbulence all the time because of her sensitive nature. How I wish I have her energetic passion; but I reminded her that it is her unique gift and she just needs to learn how to channel it optimally in the right direction.
We are all slightly different emotional instruments. I'm like a harpsichord, the precursor of the pianoforte: reliable, even-toned but having zero dynamic range. I work best as the basso continuo--providing the rhythmic bass foundation in Baroque music.
A violin is a completely different musical instrument altogether. Its dynamic range and versatility --from pianissimo to fortissimo, from cantabile to pizzicato--is without parallel. It is unsurprising why violins form the most important section is any symphony orchestra.
Myra is such an exquisite violin. And I never cease to remind her of that. Under the hands of a virtuoso, she can create the kind of music that moves the entire world.